Yahoo Web Search

Search results

  1. Khavn De La Cruz [pronunciation?] (also known as KHAVN) is a Filipino poet, [citation needed] singer, songwriter, pianist and filmmaker. [1] He is the founder and festival director of MOV International Film, Music and Literature Festival.

  2. Sep 29, 2010 · Khavn de la Cruz is an artist with an output that is singular in its fecundity, a prolix daily output that is off the charts. Musician, poet, writer, filmmaker, Cruz is, however, most well-known as “the father of Philippine digital filmmaking.” Pamela Cohn sat down with Cruz in Prizren, Kosova to discuss his prodigious output. September 29, 2010.

  3. www.imdb.com › name › nm1894653Khavn - IMDb

    Khavn was born on 23 December 1973 in the Philippines. He is a director and writer, known for Mondomanila, or: How I Fixed My Hair After a Rather Long Journey (2012), Balangiga: Howling Wilderness (2017) and EDSA XXX: Nothing Ever Changes in the Ever-Changing Republic of Ek-Ek-Ek (2014).

  4. Jun 18, 2008 · Khavn De La Cruz is a filmmaker, musician, and writer who has won numerous awards both here and abroad. His rock opera Newtopia will be featured at the fourth edition of the Virgin Labfest of the Cultural Center of the Philippines.

  5. www.v1.sharjahart.org › people › khavn-de-la-cruzKhavn De La Cruz

    Khavn De La Cruz has 35 features and more than a hundred short films under his belt, including Mondomanila(Fantasia 2012), The Muzzled Horse of an Engineer in Search of Mechanical Saddles (Berlinale 2008), Squatterpunk (Rotterdam 2007),and Manila in the Fangs of Darkness(Viennale 2008).

  6. iffr.com › en › personKhavn - IFFR EN

    Khavn De La CRUZ (1973, Philippines), is a prolific Filipino filmmaker, writer, pianist, songwriter and composer. Since 1994 he has directed over 300 films including Squatterpunk (2006), Manila in the Fangs of Darkness (2008) and has collaborated with Alexander Kluge on films such as Orphea (2020) and Happy Lamento (2018), making him one of the ...

  7. Khavn De La Cruz, or simply Khavn, is not one to appease through decorum. Playing on the edge of cataclysm, his creative practice is prolific and expansive, embracing an inspired and at times unexpected array of mediums and collaborators.