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Jun 20, 2016 · Today both interpretations of Duchamp's contribution to the history of art have an influence on appropriation art. While the scholarship on Duchamp's contribution is vast, a few texts specifically address his role in shifting the perception of the copy from a mechanical process to a conceptual act.
Jun 20, 2016 · This essay focuses on why and how copying occurs within the field of visual art and identifies shifts in the perception of the role of copying over time as indicated by changing terminology. Copies are ubiquitous in our culture today.
Jun 20, 2016 · This book provides pertinent excerpts from a wide variety of writings by Jean Baudrillard, Walter Benjamin, Nicolas Bourriaud, Douglas Crimp, Guy Debord, Marcel Duchamp, Barbara Kruger, Sherrie Levine, Jeff Wall, and Andy Warhol.
Jun 20, 2016 · The Art of Deception by Mark Jones provide examples from all art and design disciplines from the Renaissance to the twentieth century, including works from China and Japan. This catalogue dedicates a chapter each to how fakes are fabricated and the means by which they are exposed.
Jun 20, 2016 · Some artists conduct appropriations from earlier artists to create conditions of irony, parody, or satire, conditions themselves associated with postmodernism. Appropriation can also be used as a critique of an artistic or social issue.
Jun 20, 2016 · The goal of this essay has been to provide a broader context for the postmodern phenomenon of appropriation by tracing the role of the copy from its origins in academic artistic education to the present, providing a framework for understanding how art history, criticism, theory, and practice have documented changes in the ...
Jun 20, 2016 · Cultural and Transcultural Appropriation in the Colonial Period. Cultural appropriation refers to borrowing that occurs across cultures. Thorstein Veblen coined the phrase in The Theory of the Leisure Class, and applied it to products obtained through international trade and colonialism.
Jun 20, 2016 · More contemporary reflections on the academic practice of the copy are found in Carl Goldstein's Teaching Art: Academies and Schools from Vasari to Albers and Albert Boime's The Academy and French Painting in the Nineteenth Century, both of which devote a chapter to the academic copy.
Jun 20, 2016 · A chapter focused on money compares the topic as treated by Marcel Duchamp, Andy Warhol, and Robert Morris to Louis Hock, Liz Sisco, and David Avalos's 1993 San Diego Art Rebate piece, where the artists gave ten dollars each to undocumented immigrant workers as they crossed the border from Mexico to California.
Jun 20, 2016 · Cultural and Transcultural Appropriation in the Colonial Period; Marcel Duchamp and the Conceptual Shift of the Copy <<
