Artemisia
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Artemisia Lomi or Artemisia Gentileschi (US: / ˌ dʒ ɛ n t i ˈ l ɛ s k i /, [1] [2] Italian: [arteˈmiːzja dʒentiˈleski]; 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio .
Aug 29, 2024 · Artemisia Gentileschi was an Italian painter, daughter of Orazio Gentileschi, who was a major follower of the revolutionary Baroque painter Caravaggio. She was an important second-generation proponent of Caravaggio’s dramatic realism. A pupil of her father and of his friend the landscape painter.
Apr 2, 2014 · Artemisia Gentileschi was a Baroque-period painter known for such works as 'Madonna and Child,' 'Susanna and the Elders' and 'Judith Slaying Holofernes.'
Artemisia Gentileschi's turbulent life story often overshadows her art, but she was the most celebrated female artist of the 17th century
She’s described as the most celebrated female artist of the 17th-century but Baroque artist Artemisia Gentileschi (1593–1656) struggled to carry this accolade through to the modern era.
Artemisia is the most celebrated female painter of the 17th century. She worked in Rome, Florence, Venice, Naples and London, for the highest echelons of European society, including the Grand Duke of Tuscany and Philip IV of Spain.
Jan 15, 2023 · Artemisia Gentileschi was one of the greatest 17th-century Italian painters. She was a professional painter by the age of 15. Initially, she painted in a Caravaggio style but later developed into a Baroque painter. Below, we explore Artemisia Gentileschi’s biography in more depth.
Aug 27, 2018 · A new play celebrates the 17th-Century Italian artist Artemisia Gentileschi, who defied her rape and torture through masterful paintings.
Dec 2, 2019 · Artemisia Gentileschi (July 8, 1593–date unknown, 1653) was an Italian Baroque painter who worked in the Caravaggist style. She was the first female painter admitted to the prestigious Accademia de Arte del Disegno.
Sep 28, 2020 · As the scholar Mary Garrard noted, in a 1989 appraisal titled “ Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art,” the painting represents an art-historical...
