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The A Portrait of the Artist as Filipino, known also as "A Portrait of the Artist as Filipino: An Elegy in Three Scenes" [1] is a literary play written in English by Filipino National Artist for Literature Nick Joaquin [2] in 1950.
Something proudly Filipino has become universal. Something elegantly Hispano-Filipino now belongs to the world. Nick Joaquin’s “Portrait of the Artist as Filipino” was first discovered by National Artist Daisy Hontiveros Avellana in the Women’s Weekly Magazine in 1952.
Oct 10, 2017 · The reputation of Nick Joaquin’s 1951 play, A Portrait of the Artist as Filipino, towers over the landscape of Philippine literature. Its achievements demand nothing but superlatives; on the theatrical poster of its 1965 film adaptation is this call to attention:
Based on Nick Joaquin’s play about a painter, a painting, two sisters, and a crook. A story that explores family conflict between two sisters and their painter father before the World War 2, in Intramuros, Old Manila.
A Portrait of the Artist as Filipino (1966), a celebrated play, attempts to reconcile historical events with dynamic change. The Aquinos of Tarlac: An Essay on History as Three Generations (1983) presents a biography of Benigno Aquino, the assassinated presidential candidate.
Artist As Filipino WEBvolume brings together Nick Joaquin’s classic play, A Portrait of the Artist as Filipino, Rolando Tinio’s libretto of Ang Larawan, The Musical (which is based on the play), and the screenplay of Ang Larawan, The Movie.
The famous local English play A Portrait of an Artist as Filipino (An Elegy in Three Series) was written by Nick Joaquin in 1951 and was first published in a book form in 1966.
