2019
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Grief (2007) is an series of photographs based on the style of American aristocracy in the early 1960s. More precisely about the torment of Jacqueline Kennedy immediately after the murder of her husband. These photographs blend historical details with a lot of emotions.
- Installations
Installations - Grief, 2007 - Erwin Olaf
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Publications - Grief, 2007 - Erwin Olaf
- Artist Statement
Artist Statement - Grief, 2007 - Erwin Olaf
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The first posthumous exhibition dedicated to Erwin Olaf...
- Installations
Sep 22, 2023 · Erwin Olaf, a contemporary Dutch photographer known for the precision of his staged photographs of both countercultural figures and Dutch royalty, died on Wednesday in Groningen, the...
‘Grief’ focuses on the silent battle between socially constructed notions of dignity and poise, whereas ‘Rain’ illustrates the notion of inaction of waiting for movement and the moment after happiness. Finally, ‘Hope’ captures a moment of expectation and longing, inviting the viewer to guess the subject’s thoughts.
Some of his most famous photographic series include "Grief", "Rain", and "Royal Blood". Never one to shy away from controversy, Olaf's work was often daring and provocative. [4] . Humorously however, one of his early photographs was once expelled from a show on the basis of not containing nudity. [citation needed]
AMSTERDAM — If there’s a single work that encapsulates the artistry of Erwin Olaf, a leading Dutch photographer known for meticulously staged pictures that challenge social taboos and explore...
The first posthumous exhibition dedicated to Erwin Olaf (Hilversum, 1959 – Amsterdam, 2023) at Baró Galeria pays tribute to an artist whose work redefined the way we perceive the body and its relationship with cultural and social codes. NOW | KONG Gallery in Seoul presents 'Erwin Olaf'. 3 October 2024 - 2 November 2024.
Apr 6, 2021 · In his new photographic sequence April Fool 2020, Erwin Olaf presents himself as a 21st-century Pierrot. White-faced, cone-hatted and attired in a sleek mac, the artist pushes a supermarket trolly through an abandoned carpark, passing a row of faceless corporate structures.
