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Michelangelo's aesthetic interpretation of the Pietà is unprecedented in Italian sculpture [2] because it balances early forms of naturalism with the Renaissance ideals of classical beauty . The statue was originally commissioned by a French cardinal, Jean Bilhères de Lagraulas, then French ambassador in Rome.
The Pieta as “Our Lady of Charity” (1723) from Cartagena, Spain. The Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being the Mater Dolorosa ("dolorous mother") and the Stabat Mater ("standing mother").
Jun 15, 2023 · Since its creation in 1499, Michelangelo's Pietà has inspired emotion, faith, and imitation through its elegant depiction of the Virgin Mary and Jesus Christ. Yet few know the secrets that are ...
Pietà, as a theme in Christian art, depiction of the Virgin Mary supporting the body of the dead Christ. Some representations of the Pietà include John the Apostle, Mary Magdalene, and sometimes other figures on either side of the Virgin, but the great majority show only Mary and her Son.
Oct 21, 2019 · Learn about the history, iconography, and artistic features of Michelangelo's Pietà, a monumental marble sculpture of the Virgin Mary holding Christ. Discover how this work reflects the naturalism and balance of the High Renaissance and its legacy in art history.
Learn about the Pietà, a marble sculpture by Michelangelo depicting the Virgin Mary holding the body of Jesus after his crucifixion. Discover the history, description, interpretations and damages of this Renaissance masterpiece in St. Peter’s Basilica.
Michelangelo, Pietà, marble, 1498-1500 (Saint Peter's Basilica, Rome) Speakers: Dr. Beth Harris and Dr. Steven Zucker. The Pietà was a popular subject among northern european artists. It means Pity or Compassion, and represents Mary sorrowfully contemplating the dead body of her son which she holds on her lap.
