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  1. Sofia Carmina Coppola (/ ˈ k oʊ p əl ə / KOH-pə-lə Italian pronunciation: [soˈfiːa karˈmiːna ˈkoppola]; born May 14, 1971) is an American film director, screenwriter, producer, and former actress.

  2. www.imdb.com › name › nm0001068Sofia Coppola - IMDb

    Sofia Coppola was born on May 14, 1971 in New York City, New York, USA as Sofia Carmina Coppola. She is a director, known for Somewhere (2010), Lost in Translation (2003), and Marie Antoinette (2006).

  3. 930K Followers, 46 Following, 117 Posts - Sofia Coppola (@sofiacoppola) on Instagram: "Filmmaker".

  4. Sofia Coppola is an American director and actress. She acted in The Godfather trilogy and Star Wars Episode I: The Phantom Menace. She directed Lost in Translation, Marie Antoinette, The Virgin Suicides, The Beguiled, On the Rocks, Somewhere and The Bling Ring.

  5. Jun 18, 2024 · Sofia Coppola, American film director, producer, and screenwriter best known for the films The Virgin Suicides (1999) and Lost in Translation (2003). In 2004 she was the first American woman to be nominated for an Academy Award in the category of best director.

  6. Jan 22, 2024 · After an early life spent in front of the camera, Sofia Coppola made a career behind it, becoming one of the most influential and visually distinctive filmmakers of her generation, with eight...

  7. Sofia Coppola. Highest Rated: 100% Hearts of Darkness: A Filmmaker's Apocalypse (1991) Lowest Rated: 52% Star Wars: Episode I - The Phantom Menace (1999) Birthday: May 14, 1971. Birthplace: New...

  8. Nov 15, 2023 · Sofia Coppola is a film director, screenwriter, producer and actor. She directed The Virgin Suicides and Lost in Translation, winning an Oscar for the latter.

  9. Dec 23, 2023 · Coppola is known for putting women front and centre in her movies, which also include The Virgin Suicides and Lost in Translation. In 2022, a study found that 33% of films featured sole female...

  10. Dec 12, 2023 · For 25 years, Sofia Coppola’s films have served as a stylistic manual for how to be sad, or at least disaffected, in our modern age. Her films consistently put us at eye level with young women trapped in gilded cages — whether it’s in a luxury hotel in Tokyo, amid the hallowed columns of Graceland or in a comfortable two-story ...

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