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  1. en.wikipedia.org › wiki › Peter_HyamsPeter Hyams - Wikipedia

    Peter Hyams (born July 26, 1943) is an American film director, screenwriter and cinematographer known for directing 1977 conspiracy thriller film Capricorn One (which he also wrote), the 1981 science fiction-thriller Outland, the 1984 science fiction film 2010: The Year We Make Contact (a sequel to Stanley Kubrick's 2001: A Space ...

  2. www.imdb.com › name › nm0001382Peter Hyams - IMDb

    Peter Hyams. Director: 2010. Peter Hyams was born in New York on July 26, 1943, and attended Hunter College Elementary School. He studied art and music at the Art Students League and the High School of Music and Art as well as at Syracuse University, where he majored in music and art.

  3. Peter Hyams was born in New York on July 26, 1943, and attended Hunter College Elementary School. He studied art and music at the Art Students League and the High School of Music and Art as well as at Syracuse University, where he majored in music and art.

  4. www.imdb.com › title › tt00868372010 (1984) - IMDb

    Dec 7, 1984 · 2010: Directed by Peter Hyams. With Roy Scheider, John Lithgow, Helen Mirren, Bob Balaban. A joint USA-Soviet expedition is sent to Jupiter to learn exactly what happened to the "Discovery" and its H.A.L. 9000 computer.

  5. 2010: The Year We Make Contact (or simply 2010) is a 1984 American science fiction film written, produced, shot and directed by Peter Hyams. Serving as a sequel to Stanley Kubrick 's 1968 film 2001: A Space Odyssey and based on Arthur C. Clarke 's 1982 sequel novel, 2010: Odyssey Two, the film follows a joint American and Soviet crew ...

  6. Feb 11, 2016 · Peter Hyams: “I give actors a tremendous amount of freedom because I like their performances”. Peter Hyams (b. 1943; picture, on the set of “Narrow Margin”) is a very accomplished, all-round and versatile filmmaker who debuted at age 28 as screenwriter-producer of “T.R. Baskin” (1971), a fascinating drama about a small ...

  7. Sep 8, 2022 · A genre-hopping journey-man with a penchant for high concept stories grounded in a blue collar sensibility, he would seem to be the platonic ideal of a gun-for-hire director, save for the fact that for the majority of films he’s directed, he’s also served as producer, writer (or at least co-writer), and, most surprisingly of all, director of pho...