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  1. en.wikipedia.org › wiki › Gregg_TolandGregg Toland - Wikipedia

    Gregg Wesley Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Grapes of Wrath, and ...

  2. www.imdb.com › name › nm0005904Gregg Toland - IMDb

    Gregg Toland (1904-1948) was a pioneering cinematographer who developed the deep focus technique and won an Oscar for Citizen Kane. He also worked on classics like Wuthering Heights, The Grapes of Wrath, and The Best Years of Our Lives.

  3. May 25, 2024 · Gregg Toland (born May 29, 1904, Charleston, Illinois, U.S.—died September 28, 1948, Hollywood, California) was an American motion-picture cinematographer known for his brilliant use of chiaroscuro and deep-focus camera work.

  4. Jun 6, 2017 · Gregg Toland, ASC — An Enduring Legacy. An in-depth look at one of the most influential filmmakers of all time — a true ASC great who elevated the art and craft of cinematography. George E. Turner. The first thought that struck anyone who met Gregg Toland was that he appeared frail, even ill.

  5. Jul 8, 2007 · Read Gregg Toland's article on his experience of shooting Citizen Kane with Orson Welles, and his views on 3-D and color photography. Learn about his friendship with Floyd Crosby, another great cameraman who worked with Roger Corman.

  6. Gregg Toland was a pioneer of deep focus cinematography and a highly paid and influential cameraman in Hollywood. He worked on classics such as Citizen Kane, Wuthering Heights, and The Best Years of Our Lives, and died in 1948 at age 44.

  7. Jan 1, 2004 · Everyone knows that Orson Welles and his cinematographer, Gregg Toland, used deep focus in Kane. But what is deep focus, and were they using it for the first time? The term refers to a strategy of lighting, composition, and lens choice that allows everything in the frame, from the front to the back, to be in focus at the same time.