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NYTIMES MAGAZINE | Behind the Cover. CLIENT | The New York Times. This weekly series explores the design process behind the covers of The New York Times Magazine. Made in collaboration with the fine folks at Hunter Gatherer. MLK/FBI | Feature Documentary.
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Laura Tomaselli. ; TRAILERS; INFO; View fullsize
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LAURA TOMASELLI IS A DIRECTOR / EDITOR LIVING IN NEW YORK....
- Spotify | "Best Advice" View
PROD CO. | The Front “You gotta have game if you wanna get...
- Fujifilm | "Something" View
DIRECTOR | Phil Pinto DP | Pete Konczal WRITER | Abbe Ertel...
- The Detour | Opening Titles View
AGENCY | Pentagram How do you represent a family vacation...
- Infiniti | Deja View View
Agency | Campfire This interactive project (sadly no longer...
- Klm | "Meet Care-E" View
AGENCY | BBDO PROD CO. | Neighborhood Watch These spots...
- Lowland Kids | Short Film View
DIRECTOR | Sandra Winther PRODUCERS | William Crouse +...
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View the profiles of people named Laura Tomaselli. Join Facebook to connect with Laura Tomaselli and others you may know. Facebook gives people the power...
May 23, 2023 · Laura E. Tomaselli, M.D. Neurology , Pediatrics , Pediatric Critical Care , Child Neurology. 4.7 / 5. 38 Ratings. 8 Comments. UR Medicine Faculty. Accountable Health Partner. Accepting New Patients. Contact. Appointment (585) 275-2808. Appointment (585) 340-8949. Fax (585) 275-3683. About Me.
Feb 11, 2021 · To craft the film, editor Laura Tomaselli sifted through hundreds of hours of footage to tell the judicious story, which she co-wrote with Benjamin Hedin. Tomaselli sat down with No Film School to offer insight into her process, sharing tips along the way.
Jul 14, 2023 · A trail of broken treaties, the quest for sovereignty, a collective journey in healing, and a call for self-determination all come together in Lakota Nation vs. the United States, a new film...
Jan 31, 2023 · MLK/FBI, directed by Sam Pollard and edited by Laura Tomaselli, traces the surveillance of Martin Luther King Jr. by the J. Edgar Hoover-led FBI. Pollard: It was the three of us, Ben Hedlin [writer, producer], myself, and Laura. It was the best way to work: Keep it close and tight.
I was chatting with co-director and friend, Laura Tomaselli the other day about a new kind of heroism. I feel all the people involved in this project are heroes. From the amazing people who shared their truths on screen, to our amazing crew, to our wonderful producers, to the people who helped make this story become a reality.
