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Take Me to the River Lyrics: I don't know why I love her like I do / All the changes you put me through / Take my money, my cigarettes / I haven't seen the worst of it yet / I wanna know,...
Take Me to the River Lyrics: I'd like to dedicate this song to little Junior Parker / A cousin of mine who's gone on, but we'd like to kinda carry on in his name / I sing / I don't know...
Jul 4, 2023 · Take Me to the River Ending: What Happened Between Cindy And Keith? Early in the film, it becomes clear that there is some bad blood between Ryder’s mother, Cindy, and Molly’s father, Keith. Although he is civil toward her and her family, he closely monitors Molly whenever she tries to spend time with Ryder.
May 25, 2011 · "Take Me to the River" is a 1974 song written by singer Al Green and guitarist Mabon "Teenie" Hodges. Hit versions were recorded by both Syl Johnson and Talk...
Dec 1, 2012 · Talking Heads - Take me to the River 1980 I don't know why I love her like I do All the changes you put me through Take my money, my cigarettes I haven't seen the worst of it yet I...
Mar 10, 2017 · Official audio for "Take Me To The River" by Al Green, from the album Al Green Explores Your Mind (1974) Subscribe: http://bit.ly/2j8ulPs Facebook: / algreen Twitter: / algreen...
Jun 6, 2024 · “Take Me to the River” showcases Al Green’s signature style by combining his soulful vocals, heartfelt delivery, and emotionally rich lyrics. Green’s ability to convey deep emotions through his music sets him apart as an iconic figure in soul music.
"Take Me to the River" is a 1974 song written by singer Al Green and guitarist Mabon "Teenie" Hodges. Hit versions were recorded by Syl Johnson, Talking Heads and Delbert McClinton. In 2004, Green's original version was ranked number 117 on Rolling Stone magazine's list of the Rolling Stone's 500 Greatest Songs of All Time.
Take Me to the River by Al Green song meaning, lyric interpretation, video and chart position
Mar 18, 2016 · More than anything, “Take Me to the River” is a mood piece. At that, it’s very successful. With America’s red-state/blue-state dichotomy as his dramatic basis, Sobel deftly sketches a family situation that’s all awkwardness and puzzlement, partly hidden, of course, by the miens of forced cheerfulness that families feel ...
