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  1. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano López Jaena, although he neither involved himself di...

  2. A name often eclipsed by history, Felix Resurreccion Hidalgo remains to be one of our country's most important artists.

  3. Félix Resurrección Hidalgo could be seen as your closet filbustero. Alongside the more fiery leaders of the Propaganda Movement of his day, Hidalgo was viewed as reserved and low-profiled. That ‘concealed heat’ that Rizal had discerned in “F.R.” would surface quite

  4. On February 21, 1853, Felix Resurreccion Hidalgo y Padilla, one of the greatest Filipino painters along with fellow painter Juan Luna in the 19th century, was born in Binondo, Manila.

  5. Nineteenth century Filipino impressionist painter Felix Resurreccion Hidalgo was as prominent and influential a historical figure as he was an artist of the Philippines.

  6. Jun 16, 2021 · One of the major works of Felix Resurreccion Hidalgo, a great Filipino painter of the late 19th century, “La Barca de Aqueronte,” or “Charon’s Boat,” exemplifies Hidalgo’s neoclassical style of painting.

  7. Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist.

  8. Sep 19, 2023 · Felix Resurreccion Hidalgo, a Filipino artist born on February 21, 1855, is one such luminary whose paintings continue to mesmerize art enthusiasts worldwide. His mastery of the canvas, deep understanding of color, and remarkable attention to detail have left an indelible mark on the art world.

  9. La Laguna Estigia (The River Styx or The Styx), also known simply as Laguna Estigia, is an 1887 Greco-Roman painting by Filipino painter Félix Resurrección Hidalgo. It is a companion-piece for Hidalgo's other painting entitled La barca de Aqueronte.

  10. FÉLIX RESURRECCIÓN HIDALGO, ‘Study for Detail of ‘La Barca de Aqueronte’’, Signed (lower left) and undated, Charcoal on paper. It would be roughly seven years from the completion of La barca to the time Hidalgo painted Marina.

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