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Reservoir Dogs is a 1992 American crime film written and directed by Quentin Tarantino in his feature-length debut. It stars Harvey Keitel, Tim Roth, Chris Penn, Steve Buscemi, Lawrence Tierney, Michael Madsen, Tarantino, and Edward Bunker as diamond thieves whose heist of a jewelry store goes terribly wrong.
Sep 2, 1992 · Reservoir Dogs: Directed by Quentin Tarantino. With Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn. When a simple jewelry heist goes horribly wrong, the surviving criminals begin to suspect that one of them is a police informant.
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A group of thieves assemble to pull of the perfect diamond heist. It turns into a bloody ambush when one of the men turns out to be a police informer. As the group begins to question each other's...
Jun 12, 2021 · Quentin Tarantino gave the main characters of Reservoir Dogs codenames based on colors, but what do these mean and how do they fit the characters?
One Perfect Crime. Critically acclaimed for its raw power and breathtaking ferocity, it's the brilliant American gangster movie classic from writer-director Quentin Tarantino. They were...
Oct 23, 1992 · A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors -- veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie -- unravel.
A gang of thieves carry out an armed robbery on a diamond warehouse. The police are after them so quickly that they suspect they have a rat in their company. This film starts right before the robbery, with flashbacks to before the robbery and to the planning of the crime.
After a seemingly perfectly planned robbery goes awry, a group of criminals begin to suspect there is a traitor in the ranks, and back at their headquarters try to suss out the culprit. IMDb 8.3 1 h 39 min 1992. R. Suspense · Anxious · Biting · Intense.
Now that we know Quentin Tarantino can make a movie like "Reservoir Dogs," it's time for him to move on and make a better one. This film, the first from an obviously talented writer-director, is like an exercise in style.
