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Henri Cartier-Bresson, né le 22 août 1908 à Chanteloup-en-Brie et mort le 3 août 2004 à Montjustin, est un photographe, photojournaliste et dessinateur français. Connu pour la précision et le graphisme de ses compositions (jamais recadrées au tirage) note 1, il s'est surtout illustré dans la photographie de rue, la représentation des ...
Jun 16, 2017 · From the 1930s, Cartier-Bresson primarily used his Leica 35 mm camera, most often fitted with a 50 mm lens. Its small size was revolutionary at the time, as it freed him from the bulkier medium format cameras that would have made his presence noticeable. Valuing anonymity as a tool to take better candid shots, he often wrapped the camera body ...
250 Bowery, New York, NY 10012. May 23, 2018 – Sep 02, 2018. Public Programs Contact Sheet Press Release pdf. Henri Cartier-Bresson: The Decisive Moment examines Cartier-Bresson’s influential publication, widely considered to be one of the most important photobooks of the twentieth century. Pioneering for its emphasis on the photograph ...
Henri Cartier-Bresson (1908-2004), brought a new aesthetic and practice to photography, initiated modern photojournalism, and influenced generations of followers. Striving for a perfect balance of content and formal composition in all his work, he lived and worked by his mantra of ‘the decisive moment’ which he defined as ‘the ...
Henri Cartier-Bresson ( Chanteloup-en-Brie, 22. kolovoza 1908. – Montjustin, 3. kolovoza 2004.) - francuski fotograf koji se smatra ocem novinske fotografije. Bio je majstor tzv. "iskrene fotografije" (eng. candid photography) i među prvim korisnicima filma tipa 135. Pridonio je razvoju ulične fotografije, te skovao termin "odlučujući ...
Dec 15, 2018 · Agnes Sire has been director of the Fondation Henri Cartier-Bresson for 15 years, having previously worked for Magnum for 20 years.Joining the Foundation in its earliest days, Sire worked on building the archive with esteemed photo editor and publisher Robert Delpire.
Oct 25, 2022 · The book Cartier-Bresson penned in 1952, in French, was called Images à la Sauvette (“Images on the Run”) and along with a great portfolio of his work, is a very concise review of his process ...
