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Diana Vreeland (September 29, 1903 [2] – August 22, 1989) was an American fashion columnist and editor. She worked for the fashion magazine Harper's Bazaar and as editor-in-chief at Vogue, later becoming a special consultant to the Costume Institute of the Metropolitan Museum of Art.
Diana Vreeland (born July 29, 1903, Paris, France—died August 22, 1989, New York, New York, U.S.) was an American editor and fashion expert whose dramatic personality and distinctive tastes marked her successful leadership of major American fashion magazines during the mid-20th century.
Diana Vreeland is even more vital and relevant today than at the time of her death in 1989. While her reputation in the fashion world is well known, the actual breadth of her career and extent of her reach is immeasurable.
Apr 5, 2020 · Before becoming American Vogue’s editor-in-chief, fashion legend Diana Vreeland wrote a column full of tongue-in-cheek suggestions for Harper’s Bazaar; here’s how to put them into practice while under quarantine.
Jul 14, 2011 · As the 20th century’s most formidable arbiter elegantiarum, Vreeland knew what it meant to be venerated. For half a century, driven by fear of obscurity, financial need, and a wanton passion for...
Aug 26, 2011 · Diana Vreeland, one of history's most celebrated editors, brought her imagination and wit to life on the pages of Harper's Bazaar.
May 29, 2018 · Diana Vreeland (1903–1989) was, and continues to be, an iconic figure in fashion history, whose distinctive personal style and penchant for fantasy influenced her work at Vogue and the exhibitions she organized at the Costume Institute of the Metropolitan Museum of Art.
Aug 23, 1989 · Diana Vreeland, the legendary fashion editor and creator of spectacular fashion exhibitions at the Metropolitan Museum of Art in New York City, died of a heart...
Sep 6, 2011 · Diana Vreeland, who died in 1989, is hardly an unknown figure in the worlds of fashion and journalism, with several books and even a critically acclaimed one-woman play having explored her...
Diana Vreeland was an editor, and her approach to exhibitions reflects that fact. It was usually through a process of elimination that she arrived at the right balance in an exhibition, and to that end, she often borrowed more than she used, editing down to what was just right for the desired effect.
