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Edward Cronjager (21 March 1904 – 15 June 1960) was an American cinematographer whose career spanned from the silent era through the 1950s. He came from a family of cinematographers, with his father, uncle, and brother all working in the film industry behind the camera.
Edward Cronjager (March 21, 1904 – June 15, 1960) was an American cinematographer. His film career began in 1925, with Womanhandled, and ended in 1961 with The Devil's Partner, although he died over a year prior to the film's opening in Atlanta.
Edward Cronjager was born on March 21, 1904 in New York City, New York, USA. He was a cinematographer and director, known for Heaven Can Wait (1943), Home in Indiana (1944) and Beneath the 12-Mile Reef (1953).
Edward's nephew (Henry Jr.'s son) was the Emmy Award-winning, 261:, the union threatened to strike if the cinematographer was hired without becoming union member. Cronjager joined the union at the studio's request, averting the threatened union action. Throughout his career, Dix attempted to have Cronjager as the cinematographer on his films.
He was known for his use of shadows, which would become a staple of the later German expressionist film movement. [2] His two sons, Henry Cronjager Jr. and Edward Cronjager were also cinematographers, with Edward being nominated for seven Oscars. His grandson, William Cronjager (through Henry Jr.), was an Emmy Award -winning ...
Newly deceased playboy Henry Van Cleve arrives at the outer offices of Hades where he asks a bemused Satan for permission to enter the gates of Hell. Though the Devil doubts he will qualify, Henry proceeds to recount a lifetime wooing and pursuing women.
Helen Logan Ricardo Cortez Sol M. Wurtzel Fred Allen Robert Ellis Edward Cronjager
