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  1. Chantal Anne Akerman (French: [ʃɑ̃tal akɛʁman]; 6 June 1950 – 5 October 2015) was a Belgian film director, screenwriter, artist, and film professor at the City College of New York. [1] [2]

  2. Jun 2, 2024 · Chantal Akerman (born June 6, 1950, Brussels, Belgium—died October 5, 2015, Paris, France) was a Belgian filmmaker who explored the mundane details of ordinary life with a clear eye and a strong feminist sensibility. She directed over 40 films and created several art installations.

  3. Chantal Akerman was born on 6 June 1950 in Brussels, Belgium. She was a director and writer, known for I, You, He, She (1974), The Meetings of Anna (1978) and Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975).

  4. Oct 7, 2015 · PARIS — Chantal Akerman, the Belgian director whose ruminative, meticulous observation of womens inner lives, often using long takes, made her a pioneer in feminist and experimental ...

  5. Nov 2, 2018 · Watching her chores in real time becomes a feat of mimetic endurance. Two hundred and one minutes long, Akermans domestic epic is not as extreme as Andy Warhol’s previous durational cinema ...

  6. Dec 1, 2022 · Chantal Akermans ‘Jeanne Dielman’ Named Greatest Film of All Time in Sight and Sound Poll The drama is among several by female and Black directors in the respected once-a-decade survey ...

  7. In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space.

  8. Jun 21, 2016 · For almost 50 years, until her suicide on 5 October 2015, Chantal Akerman was one of the cinema’s most original postwar auteurs – a documentarian, anecdotist, comedian, chanteuse, and restless innovator.

  9. Chantal Akerman was born on 6 June 1950 in Brussels, Belgium. She was a director and writer, known for The Meetings of Anna (1978), Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975) and I, You, He, She (1974).

  10. Oct 6, 2015 · The Belgian avant-garde filmmaker Chantal Akerman, whose patient, personal reflections on the lives of women made her a leading figure of arthouse cinema, has died. She was 65.