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  1. Hiromasa Yonebayashi (米林 宏昌, Yonebayashi Hiromasa, born July 10, 1973 in Nonoichi, Ishikawa, Japan), [1] nicknamed Maro (麻呂), is a Japanese animator and director, formerly for Studio Ghibli.

  2. Hiromasa Yonebayashi was born on 10 July 1973 in Nonoichi, Japan. He is a director and writer, known for When Marnie Was There (2014), The Secret World of Arrietty (2010) and Mary and the Witch's Flower (2017).

  3. Looking for information on Hiromasa Yonebayashi? On MyAnimeList you can learn more about their role in the anime and manga industry. MyAnimeList is the largest online anime and manga database in the world!

  4. Jul 13, 2023 · Hiromasa Yonebayashi, the future director of Arriety, When Marnie Was There and Mary and the Witchs Flower, was in at anime’s deep end. It was 2000, and the 26-year-old was Ghibli’s baby, the studio’s youngest key animator.

  5. Hiromasa Yonebayashi (born 1973 in Ishikawa Prefecture, Japan), nicknamed Maro, is a Japanese animator and director for Studio Ghibli. Making his directing debut with them in the film The Borrower Arrietty, he became the youngest director of a Studio Ghibli film.

  6. Hiromasa Yonebayashi was born on July 10, 1973 in Nonoichi, Japan. He is a director and writer, known for When Marnie Was There (2014), The Secret World of Arrietty (2010) and Mary and the Witch's Flower (2017).

  7. Jun 7, 2016 · Hiromasa Yonebayashi: ‘The history of Studio Ghibli is also a history of myself’. Meet the director of the beautiful new film widely rumoured to be Studio Ghibli’s last hurrah.

  8. Jun 5, 2015 · Director Hiromasa Yonebayashi (“The Secret World of Arriety”) discussed his second feature, which is somewhat of a visual departure for Ghibli, via email. Hiromasa Yonebayashi: I didn’t...

  9. Jan 9, 2012 · IGN sat down with Arrietty director and Studio Ghibli animator Hiromasa Yonebayshi to talk about animation, his first feature, and the legendary Japanese studio.

  10. May 20, 2015 · Director Hiromasa Yonebayashi (The Secret World of Arriety) discussed his second feature, which is somewhat of a visual departure for Ghibli, via email. Bill Desowitz: Is “Ghibli Gothic”...