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3 days ago · Vilmos Zsigmond’s cinematography earned the film’s only Oscar, though the special effects were also praised. Spielberg became just the second director in history to score back-to-back $100 million grosses.
20 hours ago · 10. Vilmos Zsigmond – Close Encounters of the Third Kind 9. Roger Deakins – 1917 8. Néstor Almendros – Days of Heaven 7. Robert Surtees – Ben-Hur 6. Guillermo Navarro – Pan’s Labyrinth 5. Janusz Kamiński – Saving Private Ryan 4. Freddie Young – Lawrence of Arabia 3. John Alcott – Barry Lyndon 2. Roger Deakins – Blade ...
4 days ago · He brought his first film, The Sugarland Express, to show to our class. I couldn’t believe how young he was and what a huge, beautiful movie he had made. It was shot in Panavision, Vilmos Zsigmond was his cinematographer, and Steven was almost my age, just a little bit older. I was like, ‘Man, this guy is my hero!’
2 days ago · As with The Deer Hunter, Cimino was famously demanding of his cast and crew, including cinematographer Vilmos Zsigmond, whom he had liked working with before because of his "obstinacy" on set.
1 day ago · On this evidence file Fábri alongside the other greats of Hungarian cinema. That is a hell of a list – István Szábo, Béla Tarr, Miklós Jancsó and György Fehér. Including émigrés you could also add Alexander Korda, Emeric Pressburger, Peter Lorre, John Alton, Vilmos Zsigmond and Michael Curtiz. It must be something in the water.
5 days ago · Vilmos Zsigmond, ASC (Hungarian: [ˈvilmoʃ ˈʒiɡmond]; June 16, 1930 – January 1, 2016) was a Hungarian-American cinematographer.
20 hours ago · In some respects, the film noir genre came to an end after the transition from black-and-white to color during the Fifties and Sixties, replaced instead by the revisionary neo-noir films of the Seventies and the decades that followed. In 1973, Robert Altman’s genre-bending The Long Goodbye was a shot across the bows in that regard, updating the setting of Raymond Chandler’s classic novel ...
