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  1. Jun 26, 2023 · ACT I SCENE I. Athens. A room in the Palace of Theseus. Enter Theseus, Hippolyta, Philostrate and Attendants.. THESEUS. Now, fair Hippolyta, our nuptial hour Draws on apace; four happy days bring in Another moon; but oh, methinks, how slow This old moon wanes! She lingers my desires, Like to a step-dame or a dowager, Long withering out a young man’s revenue.

  2. This event is on-site in the Globe Theatre. Running time 2 hours and 35 minutes including an interval. Join the conversation #AMidsummerNightsDream. Terms and conditions. A £2.50 transaction fee per order applies online and over the telephone. Save 25% on £65 and £59 tickets when you book two or more productions in the same transaction.

  3. View all. In the palace in ancient Athens, Duke Theseus and his fiancé Hippolyta are planning their wedding festivities when Egeus, an Athenian nobleman, arrives. Egeus has with him his daughter, Hermia, and two men, Lysander and Demetrius. Egeus wants Hermia to marry Demetrius, but Hermia loves Lysander. Egeus asks Theseus to uphold Athenian ...

  4. Our new musical for schools A Midsummer Night's Dream has been adapted from Shakespeare's play and makes an ideal musical performance lasting about 1 hour. Download / print the playscript. The ...

  5. A Midsummer Night's Dream: Directed by William Dieterle, Max Reinhardt. With Ian Hunter, Verree Teasdale, Hobart Cavanaugh, Dick Powell. Two couples and a troupe of actors have an encounter with some mischievous fairies in the forest.

  6. A Midsummer Night's Dream is a 1999 fantasy romantic comedy film written, produced, and directed by Michael Hoffman, based on the 1600 play of the same name by William Shakespeare.The ensemble cast features Kevin Kline as Bottom, Michelle Pfeiffer and Rupert Everett as Titania and Oberon, Stanley Tucci as Puck, and Calista Flockhart, Anna Friel, Christian Bale, and Dominic West as the four lovers.

  7. Jul 26, 2020 · A Midsummer Night’s Dream is one of just three plays out of Shakespeare’s 39 (the other two are Love’s Labour’s Lost and The Tempest) for which the play-wright did not rely on a central primary source.Instead Shakespeare assembled elements from classical sources, romantic narratives, and English folk materials, along with details of ordinary Elizabethan life to juggle and juxtapose ...

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