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  1. en.wikipedia.org › wiki › Lino_BrockaLino Brocka - Wikipedia

    Catalino Ortiz Brocka (April 3, 1939 – May 22, 1991) was a Filipino film director. He is widely regarded as one of the most influential and significant filmmakers in the history of Philippine cinema. His body of work and life pledged to uphold anti-authoritarian politics that opposed the Marcos dictatorship at the time and continues to do so. [1]

  2. www.imdb.com › name › nm0110653Lino Brocka - IMDb

    Lino Brocka was born on 7 April 1939 in Pilar, Sorsogon, Luzon, Philippines. He was a director and writer, known for Dirty Affair (1990), Bayan Ko (1984) and Dipped in Gold (1970). He died on 22 May 1991 in Quezon City, Philippines.

  3. Aug 13, 2021 · Lino Brocka was a radical filmmaker whose socially conscious films explored the plight of the marginalized and ignored sectors of Filipino society. Maria Soriano explores his trailblazing life and career, and looks at his films, which are unfortunately unattainable outside of The Philippines.

  4. Mar 16, 2022 · Myth-busting the Marcos era with 5 classic Lino Brocka films. Mar 16, 2022 6:03 PM PHT. Daniel Aloc. Some of these were actually filmed during the Marcos regime when mass media and the arts...

  5. A girl grew up alone in a secluded island, ostracized by the people for being born out of wed lock. A young Hawaii-based Filipino-speaking tourist came and brought her to Hawaii where she learned unexpected truth about her past. Director: Lino Brocka | Stars: Snooky Serna, Lloyd Samartino, Tom Babauta, Mila Ocampo.

  6. May 22, 1991 · Catalino "Lino" Ortiz Brocka was a Filipino film director. He is widely regarded as one of the most influential and significant filmmakers in the history of Philippine cinema. In 1983, he founded the organization Concerned Artists of the Philippines (CAP), dedicated to helping artists address issues confronting the country.

  7. Manila in the Claws of Light. Lino Brocka achieved international acclaim with this candid portrait of 1970s Manila, a breakout example of the more serious-minded filmmaking the director had turned to after building a career on mainstream movies he described as “soaps.”.

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