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  1. en.wikipedia.org › wiki › The_Third_LoverThe Third Lover - Wikipedia

    The Third Lover (French: L'Œil du malin), also titled The Eye of Evil, is a 1962 French–Italian crime drama film directed by Claude Chabrol. It tells the story of a French journalist in Southern Germany who befriends a novelist and his wife and gradually begins to destroy the couple's lives.

  2. www.imdb.com › title › tt0056302The Third Lover (1962) - IMDb

    The Third Lover: Directed by Claude Chabrol. With Jacques Charrier, Stéphane Audran, Walther Reyer, Erika Tweer. André Mercier, a journalist known as Albin Mercier, is a failed, embittered writer.

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  4. www.justwatch.com › us › movieThe Third Lover streaming: where to watch online? - JustWatch

    Is The Third Lover streaming? Find out where to watch online amongst 45+ services including Netflix, Hulu, Prime Video.

  5. letterboxd.com › film › the-third-lover‎The Third Lover (1962) directed by Claude Chabrol - Letterboxd

    The Third Lover is an early psychological thriller by Claude Chabrol showing him finding his true subjects: adultery, sexual jealousy, murder. Albin (Jacques Charrier) is an unsuccessful, frustrated novelist forced to report on German life from Munich for a French newspaper.

  6. www.moviefone.com › movie › the-third-loverThe Third Lover - Movie | Moviefone

    Visit the movie page for 'The Third Lover' on Moviefone. Discover the movie's synopsis, cast details and release date. Watch trailers, exclusive interviews, and movie review.

  7. www.allmovie.com › movie › the-third-lover-am198179The Third Lover (1962) - Claude Chabrol - AllMovie

    The Third Lover (original title: L'Œil du malin), also known as The Eye of Evil, is a 1962 drama directed by Claude Chabrol. It is one of Chabrol's first films to include social criticism on bourgeoisie lifestyles that would become one of his trademarks in later films.

  8. heartofnoir.com › film › the-third-lover-1962The Third Lover, 1962 – Heart Of Noir

    Claude Chabrol’s L’oeil du malin (US: The Third Lover) perfectly represents the transition from film noir to the French New Wave. The suspense is psychological, the crime is domesticated, and the motivations are inexplicable, taking on a kind of emotional nihilism.