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  1. Nov 16, 2021 · The (Synthetic) Meatspace. CryptoPunks Launched an NFT Revolution. 1. You might think, in this time of profound human and climate trauma, that the world is coming to an end. Timothy Morton ...

  2. Timothy Morton. Timothy Bloxam Morton (born 19 June 1968) [2] is a professor and Rita Shea Guffey Chair in English at Rice University. [3] A member of the object-oriented philosophy movement, Morton's work explores the intersection of object-oriented thought and ecological studies. Morton's use of the term 'hyperobjects' was inspired by Björk ...

  3. Review of Timothy Morton: Hyperobjects, Dark Ecology, and Humankind. Caroline Giepert. Object-oriented ontology emerged as part of speculative realism, an anti-humanist philosophy that removes humans as the center of the cosmos and asserts the agency of nonliving forms. The tendency towards anthropocentrism has dominated much of the history of ...

  4. www.societyandspace.org › articles › hyperobjects-by-timothyHyperobjects By Timothy Morton

    latest from the magazine. Timothy Morton, Hyperobjects: Philosophy and Ecology after the End of the World, University of Minnesota Press, Minneapolis, MN, 2013, 240 pages, $ 24.95 paperback. ISBN 978-0-8166-8923-1. Timothy Morton’s Hyperobjects: Philosophy and Ecology after the End of the World is a queasily vertiginous quest to synthesize ...

  5. Paperback $24.95. Reviewed by Ursula K. Heise. 4 June 2014. Here's the good news about Timothy Morton’s Hyperobjects: Whatever you may be looking for by way of a theoretical concept, paradigm, or major event, you’ll find it here. Quantum theory, Hiroshima, the extended phenotype, the Anthropocene, the Prisoner's Dilemma, irony, cynicism ...

  6. Jun 8, 2021 · Reality, Morton writes, is populated with “strange strangers”—things that are “knowable yet uncanny.”. Illustration by Jon Han. In 2013, a philosopher and ecologist named Timothy Morton ...

  7. the hyperobject to analyze is just as likely to weaken our understanding of the hyperobject as it is to improve it (70). Morton uses the study of an iceberg (pictured on the front cover of the text) to illuminate phasing. Given adequate light and distance, humans can see the tip of an iceberg. However, 90 percent of the iceberg is under water.