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LAUREN SEDOFSKY TALKS WITH JEAN CLAIR. WITH ITS 1995 CENTENNIAL celebration, the Venice Biennale is executing an about-face. Putting on hold its traditional failed attempts to encompass the ultranow of international artistic production, the Biennale will instead be appraising the closing century. Vieillesse oblige.
- PLANE SONGS: LAUREN SEDOFSKY TALKS WITH ALEXANDER SOKUROV
PLANE SONGS: LAUREN SEDOFSKY TALKS WITH ALEXANDER SOKUROV....
- PLANE SONGS: LAUREN SEDOFSKY TALKS WITH ALEXANDER SOKUROV
LAUREN SEDOFSKY: Out/Spectre is very much a work of its time. It tends to turn the overwrought canons of modernism on their ears in its ironic acceptance of Flaubert’s complaint that “We have too many things and not enough forms.”
PLANE SONGS: LAUREN SEDOFSKY TALKS WITH ALEXANDER SOKUROV. LAUREN SEDOFSKY: How did you come to treat the screen as a two-dimensional surface? ALEXANDER SOKUROV: If film as art exists, then the real problem resides in optics. The camera lens is an immense reproach to the film director.
LAUREN SEDOFSKY: You’ve chosen as the title of your show “L’Informe.” The word is untranslatable, indefinable, opaque. Is this a form of provocation? YVE-ALAIN BOIS: In a way it is. The word’s untranslatable, but you can find approximations: formless or formlessness. But it’s not a concept. Indeed, it’s an anticoncept.
Feb 2, 2004 · Lauren Sedofsky “Sophie Calle: M’as-tu vue” was presented at the Centre Georges Pompidou in Paris, November 11, 2003— February 15, 2004. View Full Issue
LINEBREEDER. by Lauren Sedofsky. Acknowledging the "intelligence" of a work of art generally amounts to nothing more than recognizing, somewhat elliptically, a clever move on the part of its maker.
Lauren SEDOFSKY Feature films POLA X In Competition - Feature Films, 1999 Screenplay. 78 th EDITION May 13-24, 2025. Festival de Cannes; Cinéma de Demain;
