2008
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Yoko Kanno (菅野 よう子, Kanno Yōko, born 18 March 1963) is a Japanese composer, arranger and music producer of soundtracks for anime series, video games, television dramas and movies. She has written scores for Cowboy Bebop , Terror in Resonance , Ghost in the Shell: Stand Alone Complex , Wolf's Rain , Turn A Gundam and Darker ...
Yoko Kanno is a composer, arranger and musician best known for her work on the soundtracks for many games, seminal anime films, TV series, live-action movies, and advertisements. Some of Yoko Kanno's most famous soundtrack themes include "Kiseki no umi" (Lodoss War), "Voices" (Macross Plus), "Tank!"
TRACKS THAT DIDN'T MAKE IT DUE TO COPYRIGHT:Von, hanna (Terror in Resonance)Dance of Curse (Escaflowne)Face on (Wolf's Rain)Velveteen, Some Other Time, Be Hu...
6.5K views. Known as "Captain Duckling". Her representative works are "COWBOY BEBOP", "Genesis of Aquarion", "Macross F", "Ghost in the Shell stand alone complex", "Our ...
Mar 8, 2018 · One of the finest composers of the modern age, Yoko Kanno is a legend to fans of anime. To the rest of the world, she is practically unknown.
Nov 17, 2021 · Yoko Kanno has become one of Japan’s foremost composers since she created the eclectic score for the anime series “Cowboy Bebop.” She returned for Netflix’s live-action version.
Mar 9, 2018 · Marc takes a look at the life and career of Yoko Kanno, prolific anime music composer and performer. ~~~Website: http://www.ohnoanime.moeTwitter: http://www....
Jul 6, 2023 · One of the finest composers in anime is without question that of Yoko Kanno, so to be able to sit down with her and ask her about her work was a rare and fascinating privilege.
Aug 9, 2021 · At 32 years old, she composed one of the most iconic anime soundtracks in history. Now two decades later, what is the famed Yoko Kanno up to?
Nov 22, 2023 · Yoko Kanno’s score is, two and a half decades later, widely considered one of the greatest anime soundtracks ever made. The Cowboy Bebop score alone has made her a deeply revered figure among...
