Search results
The Saul Zaentz Company is an award-winning independent film production company based in Berkeley, California.
- ABOUT
For 45 years The Saul Zaentz Company was a fount of great...
- THE FILMS
THE FILMS - The Saul Zaentz Company - Home
- History
For 45 years The Saul Zaentz Company was a fount of great...
- Fantasy Records
Fantasy Records in Berkeley, California was the parent...
- Saul Zaentz
SAUL ZAENTZ. Described by the New York Times as ‘perhaps the...
- Al Bendich
Perhaps Al’s greatest achievement at the Saul Zaentz Company...
- Frank Noonan
Frank Noonan is Vice President-Finance for the Saul Zaentz...
- Ralph Kaffel
Ralph Kaffel is a partner in the Saul Zaentz Company. Kaffel...
- ABOUT
Aug 23, 2018 · In 1980 Saul Zaentz created The Saul Zaentz Film Center following the success of his 1975 film One Flew Over the Cuckoo’s Nest. It would later become the Zaentz Media Center. Fantasy did the post sound work on films such as Amadeus, The Talented Mr. Ripley, and The English Patient.
Team Saul Zaentz Film Center/Fantasy Studios/Zoetrope. The creatives of the late Saul Zaentz Film Center and its late mixing division Fantasy Studios. They rooted from American Zoetrope (AKA Omini Zoetrope Studios or Zoetrope-Aubry Productions/ZAP) and went on to be part of Skywalker Sound.
The Saul Zaentz Film Center (becoming the Zaentz Media Center after renovations) was a facility in Berkeley, California, that for many years provided production and post-production services for Bay Area filmmakers.
In 1982, Segal was asked to manage the three-year-old Saul Zaentz Film Center, at which point he brought in Nina Bombardier to manage the studios. Bombardier started with Fantasy in 1973 as a receptionist, [13] then moved to manage the Record Plant in Sausalito.
Jan 5, 2014 · Saul Zaentz, an acclaimed independent film producer who adapted literary works for the screen and won best-picture Academy Awards for “One Flew Over the Cuckoo’s Nest,” “Amadeus” and “The...
SAUL ZAENTZ. Described by the New York Times as ‘perhaps the last of the great independent producers,’ Saul Zaentz specialized in literary film adaptations that the big studios believed too complex or uncommercial to put on film.