Yahoo Web Search

Search results

  1. en.wikipedia.org › wiki › LapulapuLapulapu - Wikipedia

    3 days ago · In an annotation for his 1890 edition of Antonio de Morga 's 1609 Sucesos de las islas Filipinas, José Rizal spells the name as Si Lapulapu. This supplements a passage where Morga mentions Magellan's death in Mactan, but does not mention the Mactan leader by name. [10]

  2. Jul 17, 2024 · This is a compendium of the Filipino generals, commanders, leaders and who fought during the Philippine Revolution, Filipino-American War and the Post-war insurgencies against US occupation of the Philippines. There are 165 generals listed in this article.

  3. en.wikipedia.org › wiki › Hermano_PuleHermano Pule - Wikipedia

    5 days ago · Apolinario de la Cruz (July 22, 1815 – November 4, 1841 [1] ), better known as Hermano Pule ( Spanish: [eɾˈmano puˈle], Spanish for " Brother Pule"; [2] [3] also spelled Hermano Puli ), was a Filipino religious leader who founded and led the Cofradía de San José ( Confraternity of Saint Joseph ).

  4. 4 days ago · Miguel López de Legazpi (1502-1572) was a colonial official in New Spain, Pacific explorer and conquistador who led the Spanish expedition that began the colonization of the Philippines and launched the first Asia-American trading line.

  5. 2 days ago · Synopsis: The story of the immortal epic Florante at Laura begins in a dark, gloomy forest in the outskirts of the kingdom of Albania, near the Kosito River whose water is poisonous. There, in the midst of abounding perils, stands Florante tied to a big higera tree, despairing of his unfortunate life.

  6. 1 day ago · Captain America #11 by J. Michael Straczynski, Jesús Saiz, Matt Hollingsworth, and Joe Caramagna offers a look at how dire the situation is growing between Lyra and her brother, Death. Captain America and the other Change Agents are caught in the middle, but Steve Rogers has been tasked as a guardian and protector for the others.

  7. 3 days ago · Summary. Studying Sino Caribbean participation in the two cultural juggernauts of Caribbean cultural production, music and Carnival, reveals the vexed position of these modes of performance in relation to conventional historical narratives of colonialism, as well as struggles related to multiple and resilient essentialist discourses of nationalism and identity formation.