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Jul 2, 2024 · Quick Reference. A term used by some modern critics for a mode of modern fiction that openly delights in its self‐conscious verbal artifice, thus departing from the conventions of realism.
Fabulation In literary criticism, the term fabulation was popularized by Robert Scholes, in his work The Fabulators, to describe the large and growing class of mostly 20th-century novels that are in a style similar to magic realism, and do not fit into the traditional categories of realism or (novelistic) romance.
Feb 15, 2018 · Fabulation is the name given to this process of invention that is implied within imagination. This chapter makes the case that fabulation involves far more than presenting an inadequate or distorted representation of reality.
Jul 18, 2006 · For Deleuze, fabulation or myth-making occurs when the shock of an event (be it an earthquake or a literary construction) produces visions or hallucinatory images that substitute for routine ...
from the work of the novelist or the satirist. Of all narrative forms, fabulation puts the highest premium on art and joy (2, 3). Scholes recognizes delight and joy to be central aspects of the au thors' intention and the readers' experience; these qualities are as much.
Nov 1, 2007 · This article provides a full account of Bergson's vitalist theory of the Event, centring on his concept of 'Fabulation' first forwarded in his last book, The Two Sources of Morality and Religion...
Fabulation in literature refers to the creation of imaginative or fantastical stories that may not be entirely realistic. It often involves elements of fantasy, myth, or folklore, and can be used to explore complex themes and ideas.
Deleuzian Fabulation and the Scars of History - July 2010
What does the noun fabulation mean? There is one meaning in OED's entry for the noun fabulation. See ‘Meaning & use’ for definition, usage, and quotation evidence. Entry status
Fabulation would then be this narrative expression of life’s creative tendency to produce images and futures. Moving images and people may be described as hinging on whether one can free them from investments in images and representations – that is, if decoding can take place.
