2013
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Welcome on the official website of The Ateliers Jean Nouvel. We are based in Paris, 11 : 10 Cité d'Angoulême / Tél : [+33] 1 49 23 83 83.
Jean Nouvel was the recipient of the prestigious Pritzker Prize in 2008. In France, he has received many prizes including the Gold Medal from the French Academy of Architecture, two “Équerres d’Argent” and the National Grand Prize for Architecture.
Ateliers Jean Nouvel. 10 Cité d’Angoulême 75011 Paris - France. T 33 (0)1 49 23 83 83 info@jeannouvel.fr. Facebook; Instagram; Twitter; LinkedIn; Jean Nouvel; The Ateliers; Projects; Contacts; Conditions générales d’utilisation; Crédits;
Bienvenue sur le site officiel des Ateliers Jean Nouvel. Notre adresse : 10 Cité d'Angoulême 75011 Paris / Tél : [+33] 1 49 23 83 83.
Abu Dhabi, United Arab Emirates. previews. “It is a project founded on a major symbol of Arab architecture: the dome. But here, with its evident shift from tradition, the dome is a modern proposal.”. Jean Nouvel. View map.
Ateliers Jean Nouvel combines the disciplines of architecture, urban planning, interior design, landscape design, graphic design, and product design into a single integrated practice. Jean Nouvel’s award winning designs and reputation have attracted many prestigious commissions.
National Museum of Qatar. Doha, Qatar. Return to projects archives. Full screen. previews. Exit full screen. “The National Museum of Qatar emerges from a desert that has ventured all the way to the sea…. The National Museum is dedicated to the history of Qatar.
From his first project to the spectacular Sharaan Desert Resort, Jean Nouvel and Philip Jodidio have updated their XXL monograph from 2008, introducing more than 25 recent projects. The most complete overview of the architect’s career, and a publication commensurate with his inimitable talent.
previews. A good room, for just about everybody, means a big room. A good apartment, above all else, means a big apartment. For NEMAUSUS 1, having a generous amount of space was an aesthetic precondition. In this project, basic but forgotten principles have been resurrected and clearly applied.
The lone Chateaubriand Cedar rises up, framed by two screens which assert the entrance. The visitor passes beneath the cedar and sees the spectacle of the trees surrounding the glazed exhibition hall, also eight meters high, in a reading through the depth of the site.
