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  1. 4 days ago · Roberto Gastone Zeffiro Rossellini [1] [2] (8 May 1906 – 3 June 1977) was an Italian film director, screenwriter and producer. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948).

  2. en.wikipedia.org › wiki › GialloGiallo - Wikipedia

    3 days ago · In Italian cinema, giallo ( Italian: [ˈdʒallo]; pl.: gialli; from giallo, lit.'yellow') is a genre of murder mystery fiction that often contains slasher, thriller, psychological horror, psychological thriller, sexploitation, and, less frequently, supernatural horror elements. [1]

  3. 4 days ago · Plot. Lise, a mentally unbalanced middle-aged woman, travels from her home in Copenhagen to Rome, where she embarks on a fatal search of her own destiny that she had helped to arrange for herself – a premeditated search for someone, anyone, with whom she could form a dangerous liaison.

  4. Jul 9, 2024 · Rossellini and The Ways of Love Because Rossellini was generally considered the father of neorealism as the creator of Open City and Paisan, the trajectory of his career in the 1950s exhibits significant artistic changes.

  5. Jun 21, 2013 · Roberto Rossellini’s 1953 masterwork—right up there with classics like his Open City and Flowers of St. Francis —returns to a familiar screen in a new format. Decades ago, the Brattle Theatre in Harvard Square regularly included the film among its art-house offerings. Then, sadly, film prints of Journey to Italy became rare.

  6. 2 days ago · Its documentary texture, postrecorded sound track, and improvisational quality became the hallmark of the Neorealist movement. Rossellini followed it with Paisà (1946; Paisan) and Germania, anno zero (1947; Germany, Year Zero) to complete his “war trilogy.”

  7. Jul 12, 2024 · Roberto Rossellini was one of the most widely known post-World War II motion-picture directors of Italy. His films Roma città aperta (1945; Open City) and Paisà (1946; Paisan) focussed international attention on the Italian Neorealist movement in films.