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Jun 20, 2024 · (John Seale did the brilliant cinematography on Fury Road, but both films share the same DNA; Seale retired after his final film, Three Thousand Years Of Longing).
6 days ago · Cinematographer John Seale creates a cozy world for the poets with a grainy glow and warm colors. The oranges, yellows and browns soften the world of the poets, creating a perfect bookish environment for them to bloom in.
Jun 30, 2024 · There’s a whiff of tragedy hanging around Furiosa: A Mad Max Saga, the first Mad Max movie since George Miller—who also wrote and directed Happy Feet, curiously enough—blew us all away with 2015’s Fury Road. Unlike that film, Furiosa has been a box-office bomb. It doesn’t deserve to be.
Jun 25, 2024 · In the most recent outing for the franchise, Furiosa: A Mad Max Saga, we travel back 15 years before the events of Fury Road, with Alyla Browne and Anya Taylor-Joy taking over from Charlize Theron to explain how Imperator Furiosa came to be in the wasteland.
Jun 25, 2024 · Cinematographer Simon Duggan (The Great Gatsby, 300: Rise of an Empire) does not have the same sweeping visual eye that John Seale had in Fury Road.
3 days ago · In our exclusive interview with Simon Duggan ASC ACS, discover how he took over the lensing duties from the legendary John Seale AM ACS ASC and pushed the visual boundaries of this iconic franchise even further.
Jun 30, 2024 · Director George Miller and cinematographer John Seale make the Australian locations look credibly like a world decimated by nuclear war. A color palette that's heavy on browns, oranges, and reds adds to the effect, as do the gliding camera movements during the frenetic action sequences.
