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2 days ago · For “MaXXXine,” set in 1985, Rockett found a compromise between his “X” and “Pearl” approaches to lighting equipment, in large part because of a new collaborator: gaffer Ross Dunkerley ...
Jun 26, 2024 · West and cinematographer Eliot Rockett have worked tirelessly to create a movie that feels of the era, and the end result is a sultry and dirty delight. — Kat Hughes, THN. Pushing the showbiz...
4 days ago · As the soundtrack grinds out Frankie Goes to Hollywood and ZZ Top, West and his skilled cinematographer, Eliot Rockett, emulate the tacky aesthetics of the sexed-up ‘B’-thrillers that...
4 days ago · The film’s cinematography is a visual treat, with DP Eliot Rockett capturing the neon-lit allure of 1980s Hollywood. The atmospheric score by Tyler Bates enhances the film’s tension and mood. West skillfully incorporates classic Los Angeles settings, from the Hollywood Forever Cemetery to the Chinese Theater, pre-TCL branding.
3 days ago · Working once again with cinematographer Eliot Rockett, West shoots Maxine in a long, single take as she struts onto a soundstage in skin-tight denim, silhouetted against the haze of the San Fernando Valley sun.
Jun 26, 2024 · He has invaluable help from trilogy DP Eliot Rockett, who gets in some mesmerizing tracking sequences, notably early on when Maxine sashays from her car into a porn studio, scooping a hit of...
3 days ago · Eliot Rockett’s grainy, alternately sun-soaked and neon-lit cinematography convincingly recreates the look of the mid-’80s films that inspired MaXXXine. West, meanwhile, ...
