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  1. "Brillante Dante Mendoza (born 30 July 1960) is a Filipino independent film director. He was born and raised in San Fernando, Pampanga. He took advertising arts of the then College of Architecture and fine arts at the University of Santo Tomas. Mendoza won Best Director at the 62nd Cannes Film Festival for his film Kinatay.

  2. May 3, 2024 · Mendoza, who won best director at Cannes in 2009 for “Kinatay,” is a festival regular and continues to explore societal issues via his films. “The premiere of ‘Pula’ on Netflix marks a ...

  3. Apr 10, 2024 · Brillante Ma Mendoza’s twin movies “Bansa” and “Moro” were originally made as a four-hour feature that was later edited to become two films, according to the award-winning filmmaker.

  4. Oct 10, 2020 · October 10, 2020. With close to a hundred local and international awards since winning the the most coveted Best Director at the Cannes International Film Festival, Brillante Mendoza more than validated his competence not only in the realm of film direction but also in producing. Award-winning director Brillante Mendoza.

  5. Brillante Mendoza: A Beacon of Philippine Cinema. Born on July 30, 1960, in San Fernando, Pampanga, Philippines, the significant role of Brillante Ma Mendoza in the world of cinema is uncontestable. Known by film critics globally as an ultra-neo-realist, Mendoza has left an indelible mark in the film industry with his exceptional eye for ...

  6. Brillante MA Mendoza is a Filipino independent film director. He was born and raised in San Fernando, Pampanga. He took advertising arts of the then College of Architecture and fine arts at the University of Santo Tomas. He has directed sixteen films since 2005 including Kaleldo (2006), Thy Womb (2012) and Kinatay (2009). More details at TMDb

  7. Dec 31, 2019 · Mendoza tackles the complex issues of Mindanao as if he is a Mindanaon with Mindanao sensibilities. On making this film, he is like stepping into a quicksand, exposing his fixation in Mindanao, to the point that he is misappropriating the culture of other people. But it sparks an important discourse about representation and neocolonialism in ...

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