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Teatro Pilipino was a resident drama company of the Cultural Center of the Philippines (CCP) from 1976 to 1987. It was founded by Filipino playwright, translator, director, and educator Rolando S. Tinio, who also served as its Artistic Director. The company was dedicated to producing world classics in translation as well as notable Filipino ...
Rolando Tinio is a Philippine National Artist for Theater and Literature. He was born in Gagalangin, Tondo, Manila on March 5, 1937. As a child, Tinio was fond of organizing and directing his playmates for costumed celebrations. He was an active participant in the Filipino movie industry and enjoyed working with Philippine celebrities who he ...
Ang Pahimakas sa Isang Ahente [1] [tala 1] ( Ingles: Death of a Salesman) ay isang dula noong 1949 na isinulat ng mandudulang si Arthur Miller. Tumanggap ito ng Pulitzer Prize for Drama at Tony Award for Best Play noong 1949. Unang ipinalabas sa Broadway noong Pebrero 1949, tumakbo ng 742 na pagtatanghal, at apat na ulit na ni-revive sa ...
Mar 16, 2023 · In Tartuffe: O Ang Manloloko, translated into crisp, rhythmic Filipino by National Artist for Theater and Literature Rolando S. Tinio, the words of Molière’s 1664 classic still ring relevant even today, almost 400 years since its first performance at the Palace of Versailles’ Cour de Marbre.
Theatre | Tinio | Philippine Studies: Historical and Ethnographic Viewpoints. II. Theatre. Philippine Studies: Historical and Ethnographic Viewpoints is published by the Ateneo de Manila University. ISSN: 2244-1093 (Print) ISSN: 2244-1638 (Online) II. Theatre.
May 23, 2019 · Ang Gawad Rolando Tinio sa Tagasalin o Translator’s Prize ay naglalayong mabigyan ng mas malaking puwang ang pagsasalin ng mga teksto at akdang nasusulat sa iba’t ibang wika sa Filipinas patungo sa pambansang wika. Ang pagsasalin ng mga akda ay paraan upang mas maintindihan ang mga ito at mapahalagahan ng mga mambabasang Filipino. Para sa […]
Notes on the Theater. ₱295.00. National Artist for Theater Rolando Tinio`makes the case for theater as an art form that is always in flux, changing with the times, shifting in various directions. This book brings together two essays first published in the 1960s, both of which root Philippine theater in its influences, as it does uproot it for ...
