Search results
The Madonna della Pietà ( Italian: [pjeˈta]; 1498–1499), informally known as La Pietà, is a marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Blessed Virgin Mary by Michelangelo Buonarroti, now in Saint Peter's Basilica, Vatican City.
The Pietà ( Italian pronunciation: [pjeˈta]; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the dead body of Jesus Christ after his Descent from the Cross. It is most often found in sculpture.
Pietà, as a theme in Christian art, depiction of the Virgin Mary supporting the body of the dead Christ. Some representations of the Pietà include John the Apostle, Mary Magdalene, and sometimes other figures on either side of the Virgin, but the great majority show only Mary and her Son.
The Pietà is regarded as one of the greatest works of the Renaissance artist Michelangelo Buonarroti. This impressive sculpture is currently placed in Vatican City, at St. Peter’s Basilica. The Pietà is among the initial works of art of the similar theme made by the artist.
Oct 21, 2019 · Crafted in the late 15th century, the Pietà remains one of the most beloved sculptures in the world. Here, we take a look at this piece in order to understand how its iconography, history, and artistic characteristics have shaped such an important legacy.
Jan 30, 2021 · Created in 1499, Michelangelo’s Pieta stands at 174 cm tall and 195 cm wide while it is carved from Italian marble. It is currently owned and displayed by Vatican Museums in Vatican City. This is also one of the most famous works of art of the Renaissance art movement, and below we will take a deeper look at its composition, use of ...
The Pietà (1498–1499) is a world-famous work of Renaissance sculpture by Michelangelo Buonarroti, housed in St. Peter's Basilica, Vatican City. It is the first of a number of works of the same...
Dec 6, 2023 · The Pietà was a popular subject among northern european artists. It means “Pity” or “Compassion,” and represents Mary sorrowfully contemplating the dead body of her son which she holds on her lap. This sculpture was commissioned by a French Cardinal living in Rome.
The scene depicts one of the most dramatic moments of the Passion and Death of Christ, when the Virgin, accompanied by Mary Magdalene who kisses the Redeemer´s hand, and by Saint John who contemplates the scene, assumes her greatest significance in her role as mother during the moments immediately after the loss of her Son in the tragedy of ...
Pietà. 1650 - 1660. Oil on canvas. Not on display. The Virgin holds Christ´s dead body on her lap and turns an imploring look towards the heavens. Saint John, in red, Joseph of Arimathea and Nicodemus meditate on the event of which they are the protagonists.
