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  1. Structured into planes and facets, the madonna and child figure acquires an essential simplicity and austere purity. The central figure conveys a presence that consists of the combination of vulnerability in the lack of social embellishments, and dignity and solidity in the broadly structured lines.

  2. His Madonna of the Slums is a portrayal of a mother and child from the countryside who became urban shanty residents once in the city. In his Jeepneys, Manansala combined the elements of provincial folk culture with the congestion issues of the city.

  3. Jul 27, 2023 · Vicente Silva Manansala painted Madonna of the Slums in 1950. Painted in the same method as Manansala, it depicts two individuals who are believed to originate from the countryside and have become shanty inhabitants of the populous metropolis.

  4. Manansala's paintings are the best and were celebrated as the best of the barrio and the city together. His Madonna of the Slums is a portrayal of a mother and child from the countryside who became urban shanty residents once in the city.

  5. In total, Vicente held eight solo exhibitions, fronted three art movements, influenced countless artists, developed one original form of cubism, enjoyed one happy marriage to Hermenegilda “Hilda” Diaz and fathered one child before he succumbed to cancer in 1981.

  6. On January 22, 1910, Vicente Silva Manansala, a Filipino cubist painter and illustrator was born in San Roque, Macabebe, Pampanga. His works resonate with cultural depth, social commentary, and a unique blend of modernity and tradition.

  7. This document discusses Vicente Manansala's painting "Madonna of the Slums" from 1950. It analyzes the painting based on three levels: the senses, the will, and the mind. At the level of the senses, it describes the colors, lines, and shapes used.

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