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  1. (from Hamlet, spoken by Hamlet) To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer. The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles. And by opposing end them. To die—to sleep, No more; and by a sleep to say we end. The heart-ache and the thousand natural shocks.

  2. To be or not to be, that is the question’ is the most famous soliloquy in the works of Shakespeare – quite possibly the most famous soliloquy in literature. Read Hamlet’s famous soliloquy below with a modern translation and full explanation of the meaning of ‘To be or not to be’.

  3. Even so, Hamlet seems to consider himself alone and there is no definite indication that the others hear him before he addresses Ophelia, so the speech is almost universally regarded as a sincere soliloquy.

  4. Jun 28, 2024 · In these seven soliloquies, Hamlet shares his inner feelings, thoughts, and plans for the future. These soliloquies are the pivotal pillars of the drama and are still considered some of Shakespeare's most brilliant writing. You will likely recognize lines, such as the famous "To be or not to be ..."

  5. With this regard their currents turn awry, And lose the name of action.—Soft you now! The fair Ophelia! Nymph, in thy orisons. Be all my sins remember'd. Hamlet, Act III, Scene I [To be, or not to be] - To be, or not to be: that is the question.

  6. The famous "To be or not to be" soliloquy comes from William Shakespeare’s play Hamlet (written around 1601) and is spoken by the titular Prince Hamlet in Act 3, Scene 1. It is 35 lines long. Here is the full text: To be, or not to be, that is the question, Whether 'tis nobler in the mind to suffer.

  7. The Hamlet soliloquies below are extracts from the full modern English Hamlet ebook, along with a modern English translation. Reading through the original Hamlet soliloquy followed by a modern version and should help you to understand what each Hamlet soliloquy is about: O that this too too solid flesh would melt (Spoken by Hamlet, Act 1 Scene2)

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