Yahoo Web Search

Search results

  1. en.wikipedia.org › wiki › Lee_UfanLee Ufan - Wikipedia

    Lee Ufan ( Korean: 이우환, Hanja: 李禹煥, Korean pronunciation: [iːuhwan] born 1936 in Haman County, in South Kyongsang province in Korea) is a Korean minimalist painter, sculptor, and academic, [1] known for innovative bodies of work emphasizing process, materials, and the experiential engagement of viewer and site, and critiques of ...

  2. www.studioleeufan.orgStudioLeeUfan

    Jun 21, 2024 · Hamburger Bahnhof presents the first comprehensive retrospective of the painter and sculptor Lee Ufan in Germany. Lee is one of the most important representatives of the Mono-ha school in Japan and the Dansaekhwa movement in Korea, which developed in parallel to other minimal art movements.

  3. Jun 26, 2024 · Lee Ufan is a Korean artist, critic, philosopher, and poet who was a prominent theorist and proponent of the Tokyo-based movement of young artists from the late 1960s through the early ’70s known as Mono-ha (Japanese: ‘School of Things’).

  4. Painter, sculptor, writer and philosopher Lee Ufan came to prominence in the late 1960s as one of the major theoretical and practical proponents of the avant-garde Mono-ha (Object School) group.

  5. www.moma.org › artists › 6835Lee Ufan | MoMA

    Nov 18, 2012 · Lee Ufan (Korean: 이우환, Hanja: 李禹煥, Korean pronunciation: [iːuhwan] born 1936 in Haman County, in South Kyongsang province in Korea) is a Korean minimalist painter, sculptor, and academic, known for innovative bodies of work emphasizing process, materials, and the experiential engagement of viewer and site, and critiques of European ...

  6. www.artnet.com › artists › lee-ufanLee Ufan | Artnet

    Lee Ufan is a Korean artist who founded the avant-garde group Mono-ha (School of Things), Japan’s first internationally acknowledged movement in contemporary art. View Lee Ufan’s 2,976 artworks on artnet.

  7. www.pacegallery.com › artists › lee-ufanLee Ufan | Pace Gallery

    Lee Ufan is recognized for his unconventional artistic processes which underscore the relationship between the viewer, the artwork, and the spaces they inhabit and for philosophical writings that challenge prevailing notions of artmaking with attention on spatial and temporal conditions.