Search results
Dial Help is a non-profit organization that offers confidential, non-judgmental services for crisis support, mental health, and more. Available 24/7 by call, text, or chat, Dial Help empowers individuals to find solutions and make healthy decisions.
- About
About Dial Help Dial Help is a non-profit crisis center...
- Programs
Communities That Care (also known as CTC) is an...
- Events
The Houghton/Keweenaw Communities That Care Coalition is...
- Resources
Dial Help's Safety Net Program can help you find treatment,...
- Donors
The TCFFL donated $200 to Dial Help in his memory....
- Volunteer
We are very excited to share that long-term Dial Help...
- Donate
Dial Help is a registered 501c3, and you will receive a...
- Professionals
Dial Help coordinates the UPSPC, an affiliation of...
- About
Jun 28, 2019 · Dial: Help Genre: Horror Year: 1988 Country: Italy original title: Minaccia d'Amore Director: Ruggero Deodato Writers: Joseph Cavara, Mary Cavara, Ruggero Deodato Starring: Charlotte Lewis ...
Aug 3, 2011 · A psychic finds herself tapping into the "energy" of a deceased phone operator. She also finds that her friends soon begin dying mysteriously. An investigator determines to track down the...
Nov 10, 1988 · Dial Help: Directed by Ruggero Deodato. With Charlotte Lewis, Marcello Modugno, Mattia Sbragia, Carola Stagnaro. A psychic finds herself tapping into the "energy" of a deceased phone operator. She also finds that her friends soon begin dying mysteriously.
Business Line: 906-482-9077 Fax: 906-482-2502 General Email: dial.help@dialhelp.org (This email is not continually monitored, please use crisis contacts above for crisis services)
Only the Italians could possibly make a film about killer phones, such as Dial: Help. Jenny (Lewis) is a model who dials a wrong number and somehow – handwave, handwave – taps into a source of energy, which (understandably) decides to fancy her.
Aug 13, 2018 · It must be said that there are few movies that feature as many supernatural events as Dial: Help, and this is the primary achievement of director Ruggero Deodato and particularly Franco Ferrini, who receives story credit on this film.