1981
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Raymundo Cipriano Pujante Cayabyab (born May 4, 1954), known professionally as Ryan Cayabyab (Tagalog: [ˈɾajɐn kaˈjɐbʔjɐb]), is a Filipino musician, composer and conductor regarded as one of the pillars and icons of Original Pilipino Music (OPM).
Jan 17, 2019 · Ryan Cayabyab, composer, songwriter, and National Artist, shares the soundtrack of his life, from a struggling piano player at Rhapsody Music House to beloved author of the most popular Filipino love songs.
May 15, 2024 · Man of the hour, National Artist for Music Ryan Cayabyab, also fondly called ‘Mr. C,’ with the ‘Gen C’ team, including producers Girlie Rodis and Celeste Legaspi, and director Rowell...
Aug 4, 2019 · Among those honored is no less than National Artist for Music Ryan Cayabyab, or “Mr C,” as he is known in the entertainment industry. (LISTEN: 8 popular Ryan Cayabyab songs )
Get to know the renowned Maestro Ryan Cayabyab, a National Artist for Music, and his extraordinary contributions to the world of music and visual art. Learn about his five-decade musical career, iconic compositions, orchestral arrangements, and his return to painting amidst the COVID-19 pandemic.
Sep 12, 2019 · His songs are not just popular, but ubiquitous, in a way that pratically every Filipino knows at least one Ryan Cayabyab composition. His music seeps into everything.
Discover the musical journey of Maestro Ryan Cayabyab, a Philippine National Artist for Music. Explore his works and upcoming events. Contact us for more info.
May 16, 2024 · Celebrating the music of National Artist Ryan Cayabyab started with a wishlist. But for director Rowell Santiago and producer Celeste Legaspi, seeing the new generation of artists being honored to breathe new life into Cayabyab’s music is what touched their hearts the most.
Explore the musical legacy of Maestro Ryan Cayabyab with timeless classics and popular OPM songs.
“The Maestro” made every Filipino fall in love with original Pinoy music, or OPM, through the songs he composed, musicians he mentored and shows he directed.
