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Jun 28, 2019 · This exhibition of more than 120 works, drawn entirely from the Whitney’s collection, is inspired by the founding history of the Museum. The Whitney was established in 1930 by Gertrude Vanderbilt Whitney, a sculptor and patron, to champion the work of living American artists.
Mar 20, 2024 · Installation view of Whitney Biennial 2024: Even Better Than the Real Thing (Whitney Museum of American Art, New York, March 20- August 11, 2024). From left to right: Eamon Ore-Giron, Talking Shit with My Jaguar Face , 2024; Eamon Ore-Giron, Talking Shit with Amaru (Wari) , 2023; Eamon Ore-Giron, Talking Shit with Viracocha's Rainbow (Iteration I), 2023.
Sep 16, 2023 · This exhibition is co-organized by Kim Conaty, Steven and Ann Ames Curator of Drawings and Prints at the Whitney Museum of American Art, and Edouard Kopp, John R. Eckel, Jr. Foundation Chief Curator of the Menil Drawing Institute, with Scout Hutchinson, Curatorial Fellow at the Whitney Museum, and Kirsten Marples, Curatorial Associate at the ...
May 1, 2015 · "New Whitney Museum Signifies a Changing New York Art Scene" —The New York Times "With its abundantly sumptuous holdings, the museum tells us how we got where we are, offering a teeming lineage of the art of this country" —Hyperallergic "The Whitney Opens With a Winner" —Artnews "Review: New Whitney Museum’s First Show, America Is Hard ...
Whitney Museum of American Art Close. Visit. Plan your visit Admission, hours, and directions Planea tu visita (en español) Admisión, horarios y ...
Admission to the Whitney is now free from 5–10 pm every Friday evening. Join us for free admission, music, and special programming. Though admission is free, tickets are required and capacity is limited. Advance tickets are recommended. Learn more and reserve tickets. Free Second Sundays Admission ...
Nov 23, 2022 · Installation view of no existe un mundo poshuracán: Puerto Rican Art In the Wake Of Hurricane Maria (Whitney Museum of American Art, New York, November 23, 2022-April 23, 2023) From left to right: Candida Alvarez, Lomas (Mountains), 2018; Garvin Sierra Vega, Thirty-eight works from a series of digital posters posted on Instagram, 2019–22.
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