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Nastassja Kinski (born January 24, 1961)is a German-born American movie actress who has been in more than 60 movies. She is the daughter of German actor Klaus Kinski . [3] Her movie debut was in The Wrong Move in 1975 at the age of 13. [4]
Nastassja Kinski (born January 24, 1961, Nastassja Aglaia Nakszynski) is a German-born American-based actress who has appeared in more than 60 films. Kinski is Daughter of German actor Klaus Kinski. Her starring roles include her Golden Globe Award-winning portrayal of the title character in Tess and her roles in two erotic films (Stay As You Are and Cat People), as well as parts in Wim ...
Nastasija Kinski (vok. Nastassja Kinski, tikrasis vardas – Nastassja Aglaia Nakszynski; g. 1961 m. sausio 24 d. Berlynas) – Auksiniu gaubliu apdovanota vokiečių aktorė, vaidinusi daugiau kaip 60 kino filmų Europoje ir JAV. Ji yra garsaus vokiečių aktoriaus Klauso Kinskio duktė.
Nastassja Kinski wurde 1961 in West-Berlin als zweite Tochter des deutschen Schauspielers und Rezitators Klaus Kinski geboren. Sie ging als einziges Kind aus seiner 1960 geschlossenen Ehe mit der damals zwanzigjährigen Brigitte Ruth Tocki hervor.
Nastassja Kinski and the Serpent. All works of art carry innately personal stories about how they came to be. Artland’s Stories of Iconic Artworks series investigates these stories, elucidating the anecdotal narratives and received histories associated with seminal, iconic or just famous works of art made by artists renowned for their innovative contributions to their chosen media.
Dec 3, 2014 · Nastassja Kinski was not yet 15 when she began her remarkable acting career, bouncing back and forth between Europe and the U.S. and working with some of the world’s premier filmmakers. In Francis Ford Coppola’s One from the Heart, Wim Wenders’s Paris, Texas, and Roman Polanski’s Tess, among other films, Kinski mastered the art of being at once physically present yet mysteriously ...
Variety also gave the film a positive rating by praising Nastassja Kinski's performance: "Kinski was essential to the film as conceived, and she's endlessly watchable". Leonard Maltin awarded the film a mixed two out of a possible four stars, calling it "sexy, bloody, technically well crafted, but uneven and ultimately unsatisfying". [16]
